Fatma Loves to Draw!

An illustrator in the virtual world, a graphic designer in "real life." In other words, being in the wrong place at the wrong time all the time.

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3 posts tagged sketchbooker

An Illustrated Life: Christian Slade

Sharing things that make me happy:

I’m actually not a big fan of the word “doodle.” For me, it explains lazy motion with a drawing instrument. I’m not a big fan of the word “sketch,” for that too seems to hint at vacancy somewhere in the creator. I enjoy the word “draw,” which sounds much more like what really goes on. Though I’m not against the term “sketchbook,” a more accurate definition for one of these books would be “drawing book.”

An Illustrated Life: Mattias Adolfsson

After I started to draw in my sketchbooks again, I stopped having “dead time.” If I have to wait for something, I don’t see it as time wasted, but rather sketch time won. I draw while commuting. I travel mostly by train—it gives the line an extra tremble to it. I used to be rather self-conscious when drawing in public (and can still be, especially when starting a new page) but nowadays I’m much more secure. I seldom watch television these days without drawing. I often use time while on conferences or lectures to draw and sometimes feel I look rather uninterested in the lecturer; I hear while I draw, but I’m not sure what signals I send out. When i’m in my studio, I sometimes have to force myself to use ordinary paper; the sketchbook is so easy to use.

An excerpt from Mattias Adolfsson’s spreads in the book. Reading this makes me happy. I wish there was a country for sketchbookers/drawers where It’s normal to love sketching and drawing more than life itself. 

My sketchbook can be very ritualistic. I use the same type of book, same two pens. I don’t flip the book around. I don’t skip pages, and only on excruciating occasions do I rip out pages.
I only use a black ballpoint pen, the cheaper the better. The cheapest brands seem to have the right flow of ink. It can create an almost silver-point quality. Pens that one finds in hotel rooms or are given out in restaurants to sign credit card receipts seem to always be the right fit. Because I build my drawings in layers, I like the ink to go on softly. The pen should be able to create a light touch. As the drawing develops, i like the pen to be able to handle a firmer application with a darker result.

Peter Cusack. (An Illustrated Life)

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